Now we're accepted to makeup industries worth hundreds of billions of dollars, makeup tutorials taking pride of place on YouTube and a widespread fascination with all things dazzler.

However, before whatever of this, at that place was a very basic approach to the art of makeup using some extremely unsafe substances. You could fifty-fifty say certain royals of the past had quite the toxic relationship with such makeup.

1 such royal was Queen Elizabeth I who is known for her usage of thick layers of makeup in a bid to sport skin as white every bit snow, something that the English elite idolised at that time.

Earlier we dive into the deadly products that the royal religiously used, the question is why did Queen Elizabeth I want to smother her skin in so much of the stuff in the outset place?

Aside from the beauty platonic attached to a pale complexion, the royal was also trying to hide skin that featured a lot of smallpox scars.

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On x Oct 1562, Elizabeth had a high fever and was struck down with a bad case of smallpox. Though surviving the nasty disease, information technology left her with permanent scarring scattered beyond her visage.

This not merely altered her physical advent only would leave her vulnerable to constant criticism and sentence; something that she commented on in 1586 whilst addressing parliament. Elizabeth said:

"We princes, I tell you, are set on stages in the sight and view of all the globe duly observed; the eyes of many behold our actions, a spot is soon spied in our garments; a blemish noted chop-chop in our doings."

Armed with a desire to cover imperfections and to disguise the substantial scarring, Elizabeth turned to Venetian ceruse, a cosmetic composed of white atomic number 82 and vinegar. Something that she applied to her confront and cervix.

Atomic number 82 is a substance that is non safe to be practical on to the skin and tin can lead to hair loss, skin deterioration and even decease from prolonged lead poisoning. This would take likely corroded the skin.

Elizabeth'south carmine lip stain was fabricated of cinnabar, a dangerous substance containing mercury (

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So began the vicious bicycle for Elizabeth, every bit her peel deteriorated, it is said that she would layer on more and more, reaching a coverage that was ane inch thick towards the stop of her life.

To brand matters worse, the Queen would have her makeup practical once a week and would leave information technology on for the duration, assuasive the pb a chance to completely soak into the pare.

When Elizabeth did have her makeup removed, historians believe that she may have used a batter of egg shells, alum and mercury.

Side furnishings of being gradually poisoned past mercury include retentivity loss, irritability and depression, symptoms which the Queen in fact experienced towards the end of her life. Non to mention that the mercury would have likely slowly eaten abroad at her flesh.

Mercury was also present in her signature red lip stain, made of cinnabar - a toxic mineral that contains the substance.

Past this signal, there were at least 2 toxins in the form of mercury and lead causing harm to Elizabeth and her health due to her mortiferous makeup regime.

Art historian, Sir Roy Strong, coined the term 'The Mask of Youth' in the 1970s to describe Queen Elizabeth I's appearance in portraits in the latter years of her reign.

Many interpret this as a reference to the increasing layers of white makeup worn by women at the Tudor Courtroom.

Queen Elizabeth I'due south appearance is referred to as 'The Mask of Youth' in portraits in the latter years of her reign

The mask of youth created a sense of timelessness, at the same fourth dimension allowing Elizabeth to have command over her prototype. It was probable propaganda, rather than a reference to the makeup which was the standard of dazzler at the fourth dimension.

It isn't clear what exactly led to Elizabeth'due south death in 1603, it'southward been speculated that it could have been cancer or fifty-fifty pneumonia, not to mention her country of 'deep melancholy' towards the end of her life every bit she experienced the deaths of many close friends.

However, the increasingly liberal doses of both pb and mercury is sure to have added to her complex ailments and certainly played a part in her declining health and subsequent death.

Senior Fine art Curator at Royal Museums Greenwich, Sue Prichard, commented: "Elizabeth I was 55 at the time of the failed Armada invasion of England. However in the Armada Portrait, she looks much younger than her 55 years.

"Elizabeth was acutely enlightened of the importance of maintaining a youthful advent. Anti-Protestant propaganda portrayed her every bit a ageing Queen, her body decadent and unfit for retaining the throne. Elizabeth cultivated her image using a combination of 'smoke and mirrors', and 'paint', the term used for what nosotros now call cosmetics.

"All the ladies of the court cultivated a pale eyebrow, it was a sigh of nobility and did not toil in the sun for a living. Diverse compounds were used to flatter the face, including a white paste fabricated from white atomic number 82 and vinegar. Cheeks and lips were coloured with another paste made from ceruse, a solid mix of pb carbonate and pb hydroxide and coloured using cochineal.

"Face powders were too used to enhance a stake complexion, made from ground alabaster or plaster of Paris. It is probable Elizabeth started using brand upwards in 1562, after a not-fatal assault of smallpox lead to minor scarring.

"The Fleet Portrait is evidence of Elizabeth'southward desire to retain her 'mask of youth', and as a sign of their continued loyalty, her ladies of the court emulated their Queen. The decision to do so had devastating consequences on their health, merely at the end of the day they considered 'they were worth information technology'."

The Armada Portrait commemorates the nigh famous conflict of Elizabeth I'due south reign – the failed invasion of England by the Spanish Armada in the summertime of 1588.

This iconic portrait is now back on brandish to the public in an exhibition featuring all iii surviving Armada Portraits are in the Queen'southward House, in a free exhibition named Faces of a Queen.

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